![The First Production CLA-2A The First Production CLA-2A](/portals/3/img/CLA-2A/First_CLA-2A_480.jpg)
The First "Production" CLA-2A
![A look inside the first CLA-2A A look inside the first CLA-2A](/portals/3/img/CLA-2A/Inside_CLA-2A-1.jpg)
A look inside the first CLA-2A. Note the socket in between the input and output transformers where the T4 unit goes. Note that this unit has the relatively rare HA-100X input transformer in it. Most CLA-2As used that transformer, although some units used the A-10.
![Who is this guy??? Who is this guy???](/portals/3/img/CLA-2A/Chuck_480.jpg)
Chuck Ainlay used Kenetek CLA-2A Serial #26 on bass on the Frampton Comes Alive 5.1 remix." Shown here at Backstage Studios in 2000. This unit ended up at Stonehenge Recording in Atlanta.
![Another early CLA-2A Another early CLA-2A](/portals/3/img/CLA-2A/cla2a-5.jpg)
Another early CLA-2A, this one located at Planet III studios in Lexington, Kentucky.
![The last blackface CLA-2A The last blackface CLA-2A](/portals/3/img/CLA-2A/Kenetek_CLA-2a-Oblique.jpg)
The last production blackface CLA-2A, serial #32, last seen at a studio somewhere in Norway.
![The rear panel of the production CLA-2A. The rear panel of the production CLA-2A.](/portals/3/img/CLA-2A/Production_CLA-2A_RearPanel-1.jpg)
The rear panel of the production CLA-2A featured balanced and unbalanced I/O using gold-plated connectors, 1/4-inch Stereo Link jack (also with gold-plated contacts) and a Voltage Select switch for international use.